Posts tagged ‘News’

September 17, 2017

Darling Days by iO Tillett Wright

by Team Riverside

Paperback, Virago, £9.99, out now

Darling DaysA cracker of a memoir this, Darling Days tell the story of author and activist iO Tillett Wright’s distinctly off-the-wall upbringing in the squalor of downtown New York.

With its depiction of an exhilarating if hand-to-mouth existence in the East Village of the 1980s, the punk and new wave subcultures spawned there and the drugs that desolated its communities, Darling Days follows in the footsteps of autobiographies like Patti Smith’s Just Kids or Richard Hell’s I dreamed I was a Very Clean Tramp – both by poets and novelists who share not just glittery New York-based life stories but also a way with strong, beautiful prose. Tough acts to follow, but Tillett Wright more than holds his own on both counts.

He’s certainly had an interesting life straight out of the gate, born to a mother who was equal parts Amazonian warrior and Playboy centrefold, a model, hard drinker, addict and widow (her former husband having been shot by police in dubious circumstances). The pair’s adventures, clashes and anecdotes make for compelling, bewildering and sobering reading; there are several sections in the book, after the young iO has done something like rush to find a cop to protect her mother from an abusive boyfriend, when you find yourself saying, he’s how ­young at this point?

But all these wild experiences can make for sub-par reading at best if the author can’t bring them to life on the page. Thankfully, Tillett Wright’s writing is frankly brilliant; he has a fantastic way with imagery, razor-sharp descriptions of locales and characters bursting fully-formed into your mind’s eye. Angular faces, voluptuous bodies, mean streets and crumbling blocks are drawn in brilliant chiaroscuro style… and, as with Smith and Hell, there is something intangibly New York about it. At times his keen eye for this slum of a city and its crooked inhabitants is almost Dickensian.

The vivacity of Tillett Wright’s storytelling and style really can’t be emphasised enough, and his tale is a captivating one. For a living, breathing slice of a fascinating period of American life, look no further.

Review by Tom

 

 

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September 7, 2017

The Gritterman by Orlando Weeks

by Team Riverside

Signed Hardback, Particular Books, £17.99, out now

Gritterman coverFormer Maccabees frontman Orlando Weeks has taken a surprising career-turn into bittersweet picture-books with The Gritterman, a beautifully illustrated and touching tale about a local gritter’s last night on duty.

Our unnamed hero takes us through his life and times in prose written with an understated, colloquial charm, discussing his work (ice cream man on summer days, gritterman on winter nights), late wife and private ruminations. His beloved night-time role consigned to the scrapheap by global warming and a terse letter from the council, he’s a man whose quiet profession – and way of life – is being extinguished by the relentless march of modernity.

Just as his faithful van putters along on its final mission, so he, an elderly man quite alone in the world, moves towards his ultimate destination. But while elegiac, The Gritterman is not depressing, instead finding a sweet triumphalism in a sad situation. As our narrator says; “Being alone and loneliness aren’t the same thing”.

All of this is paired with wonderful drawings by Weeks; and if lovely hand-drawn illustrations, sad scenarios and wintry landscapes are putting you in mind of Raymond Briggs, you wouldn’t be far wrong. Weeks’ melancholic, low-key style and domestic focus feel like a continuation of the kind of themes Briggs famously explored in works like The Snowman and Father Christmas, while his scratchy coloured pencil illustrations marked by subdued blues and flashes of colour recall The Snowman in particular.

But unlike Briggs’ work, this isn’t a comic, instead making use of the ample white space that a novel’s form allows to suggest isolation, and thick blankets of snow. And Weeks’ style is ultimately looser. The gritterman is rendered an incomplete ghost, fading fast; his world a foggy, unfocused one perpetually obscured by inclement weather.

It’s the little details in this book that make it shine, from the “dink on [his van’s] left wheel arch that’s the same shape as Scotland” to the turkey chow mein dinner our protagonist painstakingly prepares, a chunk of which he later removes from his molar with the corner of a Christmas card. Between them and the pictures you could pore over for hours, it’s the reading equivalent of what’s known as chrysalism; the intangible satisfaction of being snuggled up in bed while listening to a raging storm outside.

Review by Tom

 

 

August 27, 2017

Lincoln in the Bardo by George Saunders

by Team Riverside

Hardback, Bloomsbury, £18.99, out now

Lincoln in Bardo.jpgIf you turn over George Saunders’ first full-length novel, you’ll be bombarded by so many quotes on the back cover from writing titans that it might lead you to believe that he’s the literary equivalent of the second coming of Christ. Jonathan Franzen says we’re lucky to have him, Zadie Smith asserts that we’ll read him “long after these times have passed”, Thomas Pynchon, Khaled Hosseini, Jennifer Egan, Junot Díaz, Lorrie Moore and more besides all sing his praises.

And the wonderful thing is, they ain’t wrong. Saunders is a singular voice, a writer whose celebrated short stories have combined Pythonesque whimsy, incomprehensible corporate/new age jargon, deep existential ennui and a strong ethical conscience to create a style that is instantly recognisable and wonderfully original. His works are uniquely his own, as funny as they are often heart-breaking – you will laugh, you will cry – and his debut novel is thankfully no different.

A bizarre story – Abraham Lincoln’s deceased eleven-year-old son Willie tries to navigate a transitional stage of the afterlife known as the Bardo over one night of ghostly weirdness – is complemented by an equally bizarre form; when Saunders isn’t leading the plot through playscript-like dialogues narrated from within the Bardo he’s employing an even more remarkable narrative convention, that of telling the tale of the surviving Abraham Lincoln by amalgamating passages from (fictional) history books. This creates a procession of voices mostly many-times removed from the events they clamour to describe. It sounds odd, is odd, but is as wrong-footing and unexpectedly affecting as anything he has written.

It’s not often you read a book that feels as deliciously, daringly new as this. And the fact that, like Saunders’ short stories, it somehow feels casual, unpretentious and effortless just shows the extent of this fascinating author’s talent.

Review by Tom

 

 

 

 

 

 

 

 

 

August 21, 2017

Transit by Rachel Cusk

by Team Riverside

Hardback, Jonathan Cape, £16.99, out now

Transit CuskRachel Cusk returns with Transit, the paperback of which will be arriving next month. As a taster, here’s our review of this distinctive and multifaceted novel.

Centred around a series of domestic vignettes, Cusk’s latest follows a narrator who goes not just unnamed for the majority of the novel but unremarked upon, an incisive and mysterious ghost whose duties around a London she has returned to in the wake of a divorce lead her to encounter a cast of old flames and new neighbours. Coldly, detachedly, she questions and interrogates those she meets, leading them into confessions that hold a mirror up to her own apprehensions.

The narrator (and very possibly Cusk’s alter ego) is an intriguing proposition – the kind of peculiar operator who sees fit to ask her hairdresser whether he thinks freeing oneself causes someone else to become imprisoned. She speaks almost entirely in the kind of searching philosophical inquiries that seem at odds with the workaday scenarios she inhabits, putting existentialist queries to friends and acquaintances, handymen and (of course) hairdressers; but it’s through the prism of her idiosyncrasy that these encounters are ultimately lent powerful meaning.

Whether it’s the builder whose failing health may jeopardise his career and livelihood or the ex-partner who appears so unchanged in the decades since their breakup that he may even be wearing the same shirt, much human frailty, eccentricity and beauty is on display here, dug up from beneath the surface mundanity by our guide’s relentless examinations. And, of course, there is the narrator herself; whose chilly, once-removed demeanour may well be reflecting how alone the newly-divorced mother feels in a world of couples, cliques and happy families. It’s a really interesting work, with a great deal to say about the human condition and much in it that readers will recognise about themselves.

Review by Tom

 

 

 

July 29, 2017

Phone by Will Self

by Team Riverside

Hardback, Penguin Viking, £18.99, out now

The final part of Will Self’s modernist trilogy famous for its lack of paragraphs and preponderance of big words, Phone is more of the same; frequently frustrating, stubbornly literary and ultimately brilliant. Written again without paragraphs in his trademark run-on style, this is fiction that accePhone Will Selflerates off the page as you read, in a torrent of euphemisms, witticisms and aphorisms.

It’s heady stuff. We’re constantly being uprooted, pulled from thought to thought, place to place, character to character and time to time without warning (and always mid-sentence). We spend spells in the brains of (among others) Zach Busner, an aging psychiatrist who’s equal parts OIiver Sacks and King Lear; a spy called the Butcher, who applies the tricks of his trade to night-time homosexual conquests; and Gawain, the closeted military man he seduces.

We’re completely submerged in each character’s psyche, hearing the songs they can’t get out of their heads, the reminiscences from forty years or four seconds ago, and even, in the case of the Butcher, the private mental conversations they have with their genitalia. Which means that as occasionally arduous as the act of following this cluttered and restless prose can be, it’s as near an analogue to actually being inside a person’s consciousness as I’ve ever read. To accurately depict the life of the mind is an astonishing feat, and Self nails it in laudable style.

Our author is really pushing the envelope here, and like similarly impenetrable works like Ulysses or Samuel Beckett’s Trilogy, Phone is incredibly rewarding once you’re knee-deep in it. Plus it’s really funny, which always helps.

Review by Tom

 

 

June 5, 2017

We love London Bridge

by Team Riverside

We’re always proud to be part of this community, and even more so after the horrible events of the weekend.  We are sending our love and good thoughts to everyone affected.

We are open as normal and will be glad to see London Bridgers at any time.  Come in and say hello.

May 27, 2017

Signed copies now in store!

by Team Riverside

The 7th Function of Language – Laurent Binet

House of Names – Colm Tóibín

The Nothing – Hanif Kureishi

Into the Water – Paula Hawkins

Anything is Possible – Elizabeth Strout

You Don’t Know Me – Imran Mahmood

First Love – Gwendoline Riley

Believe – Nicola Adams

The Ice – Laline Paull

The Naked Diplomat – Tom Fletcher

The Offering – Grace McCleen

May 27, 2017

Bank holiday opening hours

by Team Riverside

We are open this bank holiday Monday 29 May from 11am to 6pm.  Hope to see you then!

May 9, 2017

New signed copies in!

by Team Riverside

Laline Paull – The Ice

Paula Hawkins – Into the Water

Jon McGregor – Reservoir 13

Elizabeth Strout – Anything is Possible

Gwendoline Riley – First Love

Tom Fletcher – Naked Diplomat

… get ’em before they’re gone!

January 31, 2017

First Love by Gwendoline Riley

by Team Riverside

Hardback, £12.99 – Out Nowgwedoline-riley-first-love

The fifth novel from the woefully underappreciated young British genius Gwendoline Riley might be her best one yet. First Love is narrated by Neve, a thirty-something writer who lives in London with her older husband Edwyn. As she combs over her past – friendships, courtships, hateships, love – and the choices that have borne her here, Neve paints a sentence-perfect picture of a testing literary life and a relationship that lurches queasily from cloying tenderness to wince-inducing cruelty. It’s a short but perfectly measured book in which every line pops and buzzes and sings. “Considering one’s life requires a horribly delicate determination, doesn’t it?” begins the novel’s blistering third and final act; “To get to the truth, the heart of the trouble.” This is urgent, gorgeously stylish, devastating new fiction that does just that: gets to the truth, and cuts to the heart. It’s a masterpiece.

Review by Stuart

January 21, 2017

Talented bookseller required!

by Team Riverside

We are looking for a permanent part time bookseller to join our team.

You must have:

  • Great customer service experience, ideally in a bookshop
  • The flexibility to work Thursdays, Sundays and occasional extra days as cover, with some extra hours for holiday cover.
  • A deep and abiding love of books!

To apply, please send your CV and a covering letter to Suzanne Dean, by email or post or by hand, as soon as possible…  If you’d like more information, please phone or drop into the shop.

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December 14, 2016

New signed copies now in!

by Team Riverside

Going fast, here they are:Philippe Sands EAST WEST STREET

Philippe Sands – East West Street

Alexandra Shulman – Inside Vogue

Alan Johnson – The Long and Winding Road

Sebastian Barry – Days Without End

Yuval Noah Hariri – Homo Deus

Thomas Hocknell – Life Assistance Agency

December 9, 2016

A charm of goldfinches grace our bookshop!

by Team Riverside

We are delighted with our new mural by the excellent Matt Sewell – our top floor is now graced by four gorgeous goldfinches.

New mural!

New mural!

Thanks to Matt, and good luck to him for his new book A Charm of Goldfinches and Other Collective Nouns (https://www.penguin.co.uk/authors/matt-sewell/1069476/).

 

June 3, 2016

The Wind in the Willows, Kenneth Grahame

by Team Riverside

Hardback, £9.99, Egmont ‘Classics’wind egmont classics

Kenneth Grahame’s 1908 children’s classic The Wind in the Willows was republished last year in a beautiful hardback edition by Egmont ‘Classics’, complete with an appendix of activities for children, a well-conceived glossary (as some of Grahame’s words are challenging) and E. H. Shepherd’s original and unforgettable pen illustrations. I cannot recommend this book highly enough. The recommended reading age is 9 – 11 years but a confident reader of seven or eight could be enthralled either reading it themselves or having it read to them and indeed anyone from a five or six year-old to ninety or more could fall in love with this book and remain in love for life.

The unusual and wonderful thing about The Wind in the Willows is that it has references adults will appreciate (to Ulysses for instance, the politics of Grahame’s day, and other literary allusions), some moments of genuine profundity (the haunting chapter ‘The Piper at the Gates of Dawn’ is a case in point) – and abundant humour, warmth and excitement that will entertain children as well. Indeed every aspect of this novel is exceptional. The prose is exquisite, the atmosphere palpable, the descriptions of the natural world amongst some of the best in children’s literature and not a page goes by without some gentle humour. The characterisation deserves special notice and is unusually sophisticated for a children’s book; Mole, in particular, is a peculiar, humorous and endearing little creature but all of Grahame’s cast are marvellously realised.

Children’s classics of this period excel in their delicacy, beauty and strangeness. They seem to possess a quality difficult to describe but feels ‘strange’ to our 21st century ears. This quality might also be called ‘magic’. There is an ‘otherness’ to The Wind in the Willows (and several other bygone treasures such as Peter Pan, Mary Poppins, The Secret Garden, Charlotte’s Web…) that it is virtually non-existent in modern children’s literature and so enchanting that it is impossible not to feel that Grahame has written something resonant and timeless, and that while we are reading we are doing something very worthwhile.

Review by Emily

May 23, 2016

May bank holiday hours!

by Team Riverside

We will be open from 11am till 6pm on Monday 30 May.  Happy Bank Holiday!

March 15, 2016

Easter opening hours

by Team Riverside

PEPPA'S EASTER EGG HUNTHappy Easter from all of us at Riverside Bookshop! Our holiday opening hours are:

Good Friday – 11am to 6pm

Saturday 26 March – 10am to 6pm

Easter Sunday – CLOSED

Easter Monday – 11am to 6pm

December 29, 2015

Happy 2016 and thanks for 2015!

by Team Riverside

Thank you to all our customers for supporting us in our new home, and helping to make Christmas 2015 a real pleasure! We’ll look forward to seeing you in the New Year… and to help you plan your visits, our opening hours this week are:

Tuesday 29 December – 10am to 6pm

Wednesday 30 December – 9am to 6pm

Thursday 31 December – 9am to 4pm

New Year’s Day – CLOSED

Saturday 2 January – 10am to 6pm

Sunday 3 January – 11am to 6pm

From Monday 4 January onwards – normal opening hours

See you soon!

October 21, 2012

Foreign Bodies

by Andre

To echo this week’s triumphant Booker speech by Hilary Mantel, you wait years for a Riverside blog on foreign crime fiction and then two turn up at once. But Radio 4’s scrutiny of European literary detectives in the weeks ahead cannot go unmentioned, and the station’s dramatisation of Maj Sjowall and Per Wahloo’s series featuring detective Martin Beck is likely to create huge demand for these exemplary crime novels set in Stockholm. Between 1965 and 1975, the husband and wife writing duo published 10 captivating police procedurals that also held up a mirror to Swedish society and clearly influenced fellow Swede Henning Mankell.

The accompanying 15-part series Foreign Bodies is a typically ambitious Radio 4 project. It might have the alarmingly portentous subtitle ‘A History Of Modern Europe Through Literary Detectives’ but we should be in safe hands with presenter Mark Lawson, who regularly recommends continental crime writers on Front Row. The series will show how crime fiction reflects society’s tensions across Europe by focusing on popular detectives (Mankell’s Kurt Wallander, Nesbo’s Harry Hole and Camilleri’s Salvo Montalbano) and venerable literary creations such as Maigret and Poirot, as well as introducing genre-bending crime authors Friedrich Durrenmatt and Nicolas Freeling.

The Martin Beck series starts at 2.30pm on 27 October and Foreign Bodies begins on 22 October at 1.45pm (and available on iPlayer Radio).

October 6, 2012

2012 Samuel Johnson Prize Shortlist

by Andre

The six titles up for the UK’s leading non-fiction prize include some popular and much admired books here at the Riverside Bookshop. The Old Ways: A Journey on Foot, by Robert Macfarlane, is lyrical nature writing that draws deep on literature, myth and memory; a book for walkers or indeed anyone who’s felt their imagination stir as they put one foot in front of the other.

The other nominees are:
Behind the Beautiful Forevers: Life, Death and Hope in a Mumbai Slum by Katherine Boo
Into the Silence: The Great War, Mallory and the Conquest of Everest by Wade Davis
The Better Angels of our Nature: A History of Violence and Humanity by Steven Pinker
The Spanish Holocaust: Inquisition and Extermination in Twentieth-Century Spain by Paul Preston
Strindberg: A Life by Sue Prideaux

The winner will be announced on 12 November.

September 3, 2012

Zadie Smith: NW

by Team Riverside

Long awaited new novel that pays attention to the class issues in working-class north London,  comes signed by the Author! Only in the Riverside Bookshop.

February 3, 2011

The Hare with the Amber Eyes

by Team Riverside

Edmund De Waal, £8.99

De Waal’s Costa Winning bestseller (Biography) traces the history of an inherited collection of netsuke in what was one of 2010’s most warmly received titles.

July 7, 2010

Pereira Maintains: Antonio Tabucchi

by Team Riverside

New in Paperback!

This is the best novel by a writer-we’d-never-heard-of that we have come across in ages. Set in Lisbon at the tail end of the Spanish Civil War, it follows the story of Peirera; lonely widower, washed-up journalist, and reluctant participant in the resistance against his beloved country’s increasingly repressive regime. Beautifully written, dead educational and as thrilling as a proper thriller, this is a European masterpiece that deserves a wider audience.

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